Elements of Criticism: Volume I [-II]., Volume 2A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 - Criticism |
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Page 74
... pleasure . Precifely for the fame reason , the words expreffive of fuch objects ought to be placed in the fame order . The beauty of this fi- gure , which may be termed a climax in fenfe , has escaped Lord Bolingbroke in the first ...
... pleasure . Precifely for the fame reason , the words expreffive of fuch objects ought to be placed in the fame order . The beauty of this fi- gure , which may be termed a climax in fenfe , has escaped Lord Bolingbroke in the first ...
Page 87
... pleasure proceeds from having these two concordant emotions combined in perfect harmony , and carried on in the mind to a full close * . Except in the fingle cafe where found is defcribed , all the examples given by critics of enfe ...
... pleasure proceeds from having these two concordant emotions combined in perfect harmony , and carried on in the mind to a full close * . Except in the fingle cafe where found is defcribed , all the examples given by critics of enfe ...
Page 91
... pleasure from the two climax- es separately , but of an additional pleasure from their concordance , and from finding the fense fo justly justly imitated by the found . In this respect , Sect.III . BEAUTY OF LANGUAGE . 91.
... pleasure from the two climax- es separately , but of an additional pleasure from their concordance , and from finding the fense fo justly justly imitated by the found . In this respect , Sect.III . BEAUTY OF LANGUAGE . 91.
Page 92
... pleasure . Renewing the experiment again and again , I feel no wavering , but the greatest pleasure constantly from the faintest resemblances . And yet how can this be for if the pleafure lie in imitation , muft not the strongest ...
... pleasure . Renewing the experiment again and again , I feel no wavering , but the greatest pleasure constantly from the faintest resemblances . And yet how can this be for if the pleafure lie in imitation , muft not the strongest ...
Page 93
... pleasure of refemblance is the greatest , where it is leaft expected , and where the objects compared are in their capital circum- ftances widely different . Nor will this appear furprising , when we defcend to familiar exam- ples it ...
... pleasure of refemblance is the greatest , where it is leaft expected , and where the objects compared are in their capital circum- ftances widely different . Nor will this appear furprising , when we defcend to familiar exam- ples it ...
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Common terms and phrases
abſtract accent action Æneid againſt agreeable alfo alſo appear arts beauty becauſe beſt cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diſtinguiſhed emotions employ'd Eneid epic epic poem example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparate fhall fhort fhould fignify figure fimile fingle firft firſt fome fpeech ftandard ftill fubftantive fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances itſelf jects language laſt leaſt lefs meaſure melody mind moſt mufic muft muſical muſt nature neceffary obferved object occafion paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe purpoſe raiſed reafon refpect reprefented repreſentation reſemblance rhyme Richard II rule ſcene ſenſe ſhall ſhort Spondees ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe vafes verfe verſe words
Popular passages
Page 184 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
Page 327 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 234 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Page 277 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
Page 234 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 312 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 235 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
Page 332 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Page 432 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Page 277 - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...