History of Indian and Eastern Architecture, Volume 2

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J. Murray, 1910 - Architecture
 

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Page 208 - It is about a century more modern than the other buildings of the place, and displays the Pathan style at its period of greatest perfection, when the Hindu masons had learned to fit their exquisite style of decoration to the forms of their foreign masters. Its walls are decorated internally, with a diaper pattern of unrivalled excellence, and the mode in which the square is changed into an octagon is more simply elegant and appropriate than any other example I am acquainted with in India.
Page 173 - Sing (AD 1486-1516), the most remarkable and interesting example of a Hindu palace of an early age in India. The external dimensions of this palace are 300 ft. by 160 ft., and on the east side it is 100 ft. high, having two underground storeys looking over the country. On all its faces the flat surface is relieved by tall towers of singularly pleasing design. crowned by cupolas that were covered with domes of gilt copper when Baber saw them in 1527.
Page 272 - Rome is, within the walls, only 15,833 sq. ft. ; and even taking into account all the recesses in the walls of both buildings, this is still the larger of the two. At the height of 57 ft. from the floor-line the hall begins to contract, by a series of pendentives as ingenious as they are beautiful, to a circular opening 97 ft. in diameter. On the platform of these pendentives at a height of 109 ft.
Page 204 - The only Mahomedan building known to be taller than this is the minaret of the mosque of Hassan, at Cairo (p. 389 and Woodcut No. 928, vol. ii.) ; but as the pillar at Old Delhi is a wholly independent building, it has a far nobler appearance, and both in design and finish far surpasses not only its Egyptian rival, but any building of its class known to me in the whole world.
Page 204 - That is, it is true, 30 ft. taller, but it is crushed by the mass of the cathedral alongside ; and, beautiful though it is, it wants that poetry of design and exquisite finish of detail which marks every moulding of the minaV.
Page 22 - Buddhists grouped their stupas and viharas near and around sacred spots, as at Sanchi, Manikyala, or in Peshawur, and elsewhere; but they were scattered, and each was supposed to have a special meaning, or to mark some sacred spot. The Hindus also grouped their temples, as at...
Page 105 - I know, no roof in India where the same play of light and shade is obtained with an equal amount of richness and constructive propriety as in this instance, nor one that sits so gracefully on the base that supports it.
Page 100 - Most people would be of opinion that a building four times as large would produce a greater and more imposing effect ; but this is not the way a Hindu ever looked at the matter. Infinite labour bestowed on every detail was the mode in which he thought he could render his temple most worthy of the Deity ; and, whether he was right or wrong, the effect of the whole is certainly marvellously beautiful.
Page 212 - Delhi and Ajmir are probably unrivalled. Nothing in Cairo or in Persia is so exquisite in detail, and nothing in Spain or Syria can approach them for beauty of surface-decoration.
Page 310 - Mehal — now used as a mess-room — and one or two small pavilions. They are the gems of the palace, it is true, but without the courts and corridors connecting them they lose all their meaning and more than half their...

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