The language age of my former heart, and read And let the misty mountain winds be free If I should be where I no more can hear stream Î, so long Thy voice, nor catch from thy wild eyes these gleams * In our admiration of the external forms of nature, the mind is redeemed from a sense of the transitory, which so often mixes perturbation with pleasure; and there is perhaps no feeling of the human heart which, being so intense, is at the same time so composed. It is for this reason, amongst others, that it is peculiarly favourable to the contemplations of a poetical philosopher, and eminently so to one like Mr Wordsworth, in whose scheme of thought there is no feature more prominent than the doctrine, that the intellect should be nourished by the feelings, and that the state of mind which bestows a gift of genuine insight, is one of profound emotion as well as profound composure; or, as Coleridge has somewhere expressed himself Deep self-possession, an intense repose. The power which lies in the beauty of nature to induce this union of the tranquil and the vivid is described, and to every disciple of Wordsworth has been, as much as is possible, imparted by the celebrated Lines written in 1798, a few miles above Tintern Abbey,' in which the poet, having attributed to his intermediate recollections of the landscape then revisited a benign influence over many acts of daily life, describes the particulars in which he is indebted to them. * * The impassioned love of nature is interfused through the whole of Mr Wordsworth's system of thought, filling up all interstices, penetrating all recesses, colouring all media, supporting, associating, and giving coherency and mutual relevancy to it in all its parts. Though man is his subject, yet is man never presented to us divested of his relations with external nature. Man is the text, but there is always a running commentary of natural phenomena.-Quarterly Review for 1834. In illustration of this remark, every episode in the 'Excursion' might be cited (particularly the affecting and beautiful tale of Margaret in the first book); and the poems of The Cumberland Beggar,' 'Michael,' and 'The Fountain' (the last unquestionably one of the finest of the ballads), are also striking instances. The minstrels played their Christmas tune Through hill and valley every breeze And who but listened? till was paid O brother! I revere the choice Yet, would that thou, with me and mine, For pleasure hath not ceased to wait That guards the lowliest of the poor. The mutual nod-the grave disguise For names once heard, and heard no more; Ah! not for emerald fields alone, Hail, ancient manners! sure defence, And ye that guard them, mountains old! Bear with me, brother, quench the thought To humbler streams and greener bowers. ! Yes, they can make, who fail to find And all the far-off past reveal. Hence, while the imperial city's din Ruth. When Ruth was left half desolate, And she had made a pipe of straw, Beneath her father's roof, alone She seemed to live; her thoughts her own; Pleased with herself, nor sad, nor gay; She grew to woman's height. There came a youth from Georgia's shoreA military casque he wore, With splendid feathers drest; He brought them from the Cherokees; The feathers nodded in the breeze, And made a gallant crest. From Indian blood you deem him sprung: But no! he spake the English tongue, And bore a soldier's name; And, when America was free From battle and from jeopardy, He 'cross the ocean came. With hues of genius on his cheek, In finest tones the youth could speak: The moon, the glory of the sun, And streams that murmur as they run, Had been his dearest joy. He was a lovely youth! I guess The panther in the wilderness Was not so fair as he; And, when he chose to sport and play, No dolphin ever was so gay Upon the tropic sea. Among the Indians he had fought, Such tales as told to any maid By such a youth, in the green shade, He told of girls-a happy rout ! Who quit their fold with dance and shout, Their pleasant Indian town, To gather strawberries all day long; Returning with a choral song He spake of plants that hourly change With budding, fading, faded flowers, He told of the magnolia, spread Of flowers that with one scarlet gleam The youth of green savannahs spake, 'How pleasant,' then he said, 'it were In sunshine or through shade A home in every glade! What days and what bright years! Ah me ! And then he sometimes interwove Fond thoughts about a father's love : 'For there,' said he, 'are spun Around the heart such tender ties, That our own children to our eyes Are dearer than the sun. Sweet Ruth! and could you go with me My helpmate in the woods to be, Our shed at night to rear; Or run, my own adopted bride, And drive the flying deer! Beloved Ruth!" - No more he said. She thought again and did agree 'And now, as fitting is and right, Even so they did; and I may say Through dream and vision did she sink, And green savannahs, she should share But, as you have before been told, This stripling, sportive, gay, and bold, And, with his dancing crest, So beautiful, through savage lands Had roamed about, with vagrant bands Of Indians in the west. The wind, the tempest roaring high, For him, a youth to whom was given Whatever in those climes he found Did to his mind impart Nor less, to feed voluptuous thought, The beauteous forms of nature wrought, Fair trees and lovely flowers; The breezes their own languor lent; The stars had feelings, which they sent Into those gorgeous bowers. Yet, in his worst pursuits, I ween That sometimes there did intervene Pure hopes of high intent: For passions linked to forms so fair And stately, needs must have their share Of noble sentiment. But ill he lived, much evil saw, His genius and his moral frame And yet he with no feigned delight Sometimes, most earnestly, he said, O Ruth! I have been worse than dead; It was a fresh and glorious world- I looked upon those hills and plains, But wherefore speak of this? For now, My soul from darkness is released, Full soon that purer mind was gone; Meanwhile, as thus with him it fared, They for the voyage were prepared, And went to the sea-shore; But, when they thither came, the youth Deserted his poor bride, and Ruth Could never find him more. God help thee, Ruth !-Such pains she had, That she in a half year was mad, And in a prison housed; And there, with many a doleful song Yet sometimes milder hours she knew, They all were with her in her cell; Did o'er the pebbles play. When Ruth three seasons thus had lain, ought But of the vagrant none took thought; And where it liked her best, she sought Her shelter and her bread. Among the fields she breathed again; Ran permanent and free; The engines of her pain, the tools The vernal leaves-she loved them still; Which had been done to her. A barn her winter bed supplies; (And all do in this tale agree), An innocent life, yet far astray! Sore aches she needs must have! but less If she is pressed by want of food, And there she begs at one steep place, That oaten pipe of hers is mute, Or thrown away; but with a flute Her loneliness she cheers: This flute, made of a hemlock stalk, At evening in his homeward walk The Quantock woodman hears. I, too, have passed her on the hills Farewell! and when thy days are told, To a Highland Girl. [At Inversneyde, upon Loch Lomond.] Sweet Highland girl! a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And those gray rocks; that household lawn; Those trees, a veil just half withdrawn; This fall of water, that doth make A murmur near the silent lake; This little bay, a quiet road That holds in shelter thy abode In truth, unfolding thus, ye seem Like something fashioned in a dream; Such forms as from their covert peep When earthly cares are laid asleep! Yet, dream or vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers; And yet my eyes are filled with tears. With earnest feeling I shall pray For thee when I am far away: For never saw I mien or face, In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scattered, like a random seed, Remote from men, thou dost not need The embarrassed look of shy distress And maidenly shamefacedness: Thou wear'st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread! Soft smiles, by human kindness bred! And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brooked, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea; and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would beThy father-anything to thee ! Now thanks to Heaven! that of its grace Hath led me to this lonely place. Then, why should I be loath to stir? Laodamia. With sacrifice before the rising morn, Vows have I made by fruitless hope inspired; Restore him to my sight-great Jove, restore!' So speaking, and by fervent love endowed O terror! what hath she perceived? O joy! Mild Hermes spake, and touched her with his wand prayer, Laodamia! that at Jove's command Forth sprang the impassioned queen her lord to clasp; 'Protesilaus, lo! thy guide is gone! 'Great Jove, Laodamia! doth not leave And something also did my worth obtain; Thou knowest, the Delphic oracle foretold 'Supreme of heroes; bravest, noblest, best! 331 But thou, though capable of sternest deed, No spectre greets me-no vain shadow this; This visage tells thee that my doom is past; Nor should the change be mourned, even if the joys And surely as they vanish. Earth destroys Ah, wherefore? Did not Hercules by force Given back to dwell on earth in vernal bloom? And though his favourite seat be feeble woman's breast. Of all that is most beauteous-imaged there Yet there the soul shall enter which hath earned And while my youthful peers before my eyes Yet bitter, ofttimes bitter was the pang, But should suspense permit the foe to cry, And thou, though strong in love, art all too weak Aloud she shrieked; for Hermes reappears! Swift toward the realms that know not earthly day, By no weak pity might the gods be moved: - Yet tears to human suffering are due; From out the tomb of him for whom she died; One of the most enthusiastic admirers of Wordsworth was Coleridge, so long his friend and associate, and who looked up to him with a sort of filial veneration and respect. He has drawn his poetical character at length in the Biographia Literaria, and if we consider it as applying to the higher characteristics of Wordsworth, without reference to the absurdity or puerility of some of his early fables, incidents, and language, it will be found equally just and felicitous. First, An austere purity of language, both grammatically and logically; in short, a perfect appropriateness of the words to the meaning. Secondly, A correspondent weight and sanity of the thoughts and sentiments won, not from books, but from the poet's own meditations. They are fresh, and have the dew upon them. Even throughout his smaller poems, there is not one which is not rendered valuable by some just and original reflection. Thirdly, The sinewy strength and originality of single lines and paragraphs; the frequent curiosa felicitas of his diction. Fourthly, The perfect truth of nature in his images and descriptions, as taken immediately from nature, and proving a long and genial intimacy with the very spirit which gives |