Musical CommunicationDorothy Miell, Raymond MacDonald, David J. Hargreaves Music is a powerful means of communication. It provides a means by which people can share emotions, intentions, and meanings even though their spoken languages may be mutually incomprehensible. It can also provide a vital lifeline to human interaction for those whose special needs make other means of communication difficult. Music can exert powerful physical effects, can produce deep and profound emotions within us, and can be used to generate infinitely subtle variations of expressiveness by skilled composers and performers. This new addition to the music psychology list brings together leading researchers from a variety of academic and applied backgrounds. It examines how music can be used to communicate and the biological, cognitive, social, and cultural processes which underlie such communication. Taking a broad, interdisciplinary look at all aspects of communication, from the symbolic aspects of musical notation, to the use of music in advertising, the book is the first of its kind. It will be valuable for all those involved in music psychology, music education, and communication studies. |
Contents
How do people communicate using music? | 1 |
Music and meaning ambiguity and evolution | 27 |
Music and conversation | 45 |
Music cognition defining constraints on musical communication | 61 |
From mimesis to catharsis expression perception and induction of emotion in music | 85 |
Representation cognition and communication invented notation in childrens musical communication | 117 |
How the conventions of music notation shape musical perception and performance | 143 |
Rhythm human temporality and brain function | 171 |
Musical communication and childrens communities of musical practice | 261 |
Musical communication between adults and young children | 281 |
Pedagogical communication in the music classroom | 301 |
Talking about music a vehicle for identity development | 321 |
Hippies vs hiphop heads an exploration of musics ability to communicate an alternative political agenda from the perspective of two divergent music... | 339 |
Communication in Indian raga performance | 361 |
The role of music communication in cinema | 383 |
Musical communication in commercial contexts | 405 |
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Musical Communication Dorothy Miell,Raymond A. R. MacDonald,David John Hargreaves Limited preview - 2005 |
Common terms and phrases
acoustic activity adult aesthetic aspects audience auditory Bamberger behaviour brain chapter children's invented notations children's musical cognitive Cohen communicative musicality communities of musical community of practice complex composer context creative cultural Davidson effects emergence environment Ethnomusicology example experience explore film function gestures Hargreaves hip-hop human improvisation individual interaction involved jazz jazz musicians Juslin language learner learning listeners melody movement music cognition Music Education music notation Music Perception music therapy musical communication musical expression musical meaning musical performance musical practice musical thinking non-verbal Oxford University Press participants patterns perceived perspective piped music pitch play political Psychology of Music raga rap music relationship representation response rhythm rhythmic role singer singing Sloboda social song sound specific speech strategies structure studies suggests symbols synchronization teacher temporal Thaut theory tion tones Trevarthen understanding Veena verbal vocal York young children