A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 69
... stage reveals a common stereotype of actors and actresses as immoral , and an association of the theatre with sexual licence which continues earlier Roman prejudice against the stage professions ( Edwards 1997 ) . It is striking that in ...
... stage reveals a common stereotype of actors and actresses as immoral , and an association of the theatre with sexual licence which continues earlier Roman prejudice against the stage professions ( Edwards 1997 ) . It is striking that in ...
Page 220
... stage enactments as derivative . Instead , it has drawn attention to the cultural diversity and enabling power of previously overlooked and transitory aspects of the reception of Greco - Roman drama on the ancient and modern stage . But ...
... stage enactments as derivative . Instead , it has drawn attention to the cultural diversity and enabling power of previously overlooked and transitory aspects of the reception of Greco - Roman drama on the ancient and modern stage . But ...
Page 273
... stage For a fundamental discussion on masks on the ancient stage see : Bieber 1930 : cols . 2070-120 . Pickard - Cambridge 1968 : 189–196 . On the aesthetics and function of the Greek mask in antiquity see : Calame 1986 : 125-42 ...
... stage For a fundamental discussion on masks on the ancient stage see : Bieber 1930 : cols . 2070-120 . Pickard - Cambridge 1968 : 189–196 . On the aesthetics and function of the Greek mask in antiquity see : Calame 1986 : 125-42 ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words