A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 201
... once outside has become the new inside . Or , to take a longer historical view , that which was once considered collectively ( in the grand old days of unified knowledge : the trivium and quadrivium ) and was later individualized ...
... once outside has become the new inside . Or , to take a longer historical view , that which was once considered collectively ( in the grand old days of unified knowledge : the trivium and quadrivium ) and was later individualized ...
Page 210
... once made inaccessible and preserved , than burial of the sort to which Pompeii fell victim and from which it could emerge once more through the work of spades . Thus it was that the young archaeologist was obliged in his phantasy to ...
... once made inaccessible and preserved , than burial of the sort to which Pompeii fell victim and from which it could emerge once more through the work of spades . Thus it was that the young archaeologist was obliged in his phantasy to ...
Page 239
... once she has accepted it , that the sisters should avenge Agamemnon themselves ( Soph . 947ff ; Strauss 34aff ) ; her attempt to persuade Chrysothemis by harping on her sister's desire for marriage ( Soph . 961ff ; Strauss 82aff ) ; her ...
... once she has accepted it , that the sisters should avenge Agamemnon themselves ( Soph . 947ff ; Strauss 34aff ) ; her attempt to persuade Chrysothemis by harping on her sister's desire for marriage ( Soph . 961ff ; Strauss 82aff ) ; her ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words