A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 48
... going down ' to Piraeus ( 327a ) is significant : later in Republic in the famous image of the cave , the unenlightened masses sit bound underground in a cave watching shadows flickering on the walls , cast by objects passing behind ...
... going down ' to Piraeus ( 327a ) is significant : later in Republic in the famous image of the cave , the unenlightened masses sit bound underground in a cave watching shadows flickering on the walls , cast by objects passing behind ...
Page 190
... going , and takes a table at a café , striking the quintessential Parisian pose of the flâneur ( observer , spectator , stroller - although the word is not used in Gide's work , the concept is clearly present ) . Prometheus discusses ...
... going , and takes a table at a café , striking the quintessential Parisian pose of the flâneur ( observer , spectator , stroller - although the word is not used in Gide's work , the concept is clearly present ) . Prometheus discusses ...
Page 250
... going treatment ; and we need to be aware that ancient information about the theatre ( not just the dramatic texts themselves ) – for example in anecdotes preserved in Plutarch or Philostratus , and treatises on dance by Lucian and ...
... going treatment ; and we need to be aware that ancient information about the theatre ( not just the dramatic texts themselves ) – for example in anecdotes preserved in Plutarch or Philostratus , and treatises on dance by Lucian and ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words