A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 134
... give to Fame what we to Nature owe ; Brave tho ' we fall , and honour'd if we live , Or let us Glory gain , or Glory give ! ( The Iliad of Homer , 12. 371-96 ; Pope 1939-69 : 8. 95-6 ) Since the later eighteenth century , Pope's Iliad ...
... give to Fame what we to Nature owe ; Brave tho ' we fall , and honour'd if we live , Or let us Glory gain , or Glory give ! ( The Iliad of Homer , 12. 371-96 ; Pope 1939-69 : 8. 95-6 ) Since the later eighteenth century , Pope's Iliad ...
Page 161
... give ' may most clearly be found , with the opportunity for character , situation and even humour - ' The woman says watch , so here I am watching ' - which a director might be looking for in the opening scene of such a lengthy piece of ...
... give ' may most clearly be found , with the opportunity for character , situation and even humour - ' The woman says watch , so here I am watching ' - which a director might be looking for in the opening scene of such a lengthy piece of ...
Page 170
... give myself hairs ' ( Sommerstein 1982 : 61 ) : And I myself , being a poet of the same stamp , do not give myself hairs ( here , as in the Greek , the connector and disjunctor coincide : komaĆ , ' give myself hairs ' ) . In another ...
... give myself hairs ' ( Sommerstein 1982 : 61 ) : And I myself , being a poet of the same stamp , do not give myself hairs ( here , as in the Greek , the connector and disjunctor coincide : komaĆ , ' give myself hairs ' ) . In another ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words