A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 235
... feeling of calm and deliver- ance ( or thinks he does ; Gluck memorably subverted this feeling of calm by his orches- tral commentary , with its menacing viola ostinato : 2.3.23ff ) ; but then the calm is shattered ; the avenging and ...
... feeling of calm and deliver- ance ( or thinks he does ; Gluck memorably subverted this feeling of calm by his orches- tral commentary , with its menacing viola ostinato : 2.3.23ff ) ; but then the calm is shattered ; the avenging and ...
Page 237
... feeling of a deep affinity with Oreste . And then he shows that this feeling is recip- rocated , when an even more eloquent melody flowers in the violins to illuminate the depth of feeling behind Oreste's ' last words ' , in which he ...
... feeling of a deep affinity with Oreste . And then he shows that this feeling is recip- rocated , when an even more eloquent melody flowers in the violins to illuminate the depth of feeling behind Oreste's ' last words ' , in which he ...
Page 364
... feeling ' ( 1930 : 307 ) . He continued in the vein of nationalist pride at a German premiere of the Greek trilogy ... feelings : the styliza- tion , by which the poet deliberately altered the tone , must have a chilling effect ' ( 1930 ...
... feeling ' ( 1930 : 307 ) . He continued in the vein of nationalist pride at a German premiere of the Greek trilogy ... feelings : the styliza- tion , by which the poet deliberately altered the tone , must have a chilling effect ' ( 1930 ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words