A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
|
From inside the book
Results 1-3 of 53
Page xv
... Essay on the Birth of Tragedy ( both 2000 ) and editor , most recently , of Classical Pasts : The Classical Traditions of Greece and Rome ( 2006 ) . He has just completed The Origins of Aesthetic Inquiry in Antiquity : Matter ...
... Essay on the Birth of Tragedy ( both 2000 ) and editor , most recently , of Classical Pasts : The Classical Traditions of Greece and Rome ( 2006 ) . He has just completed The Origins of Aesthetic Inquiry in Antiquity : Matter ...
Page 228
... essays in Alter 2004 and Gorak 1991. For an overview of ancient and modern paradigms of periodization and their critique from Friedrich Nietzsche to Michel Foucault , Jacques Derrida , and Fredric Jameson , see the collection of essays ...
... essays in Alter 2004 and Gorak 1991. For an overview of ancient and modern paradigms of periodization and their critique from Friedrich Nietzsche to Michel Foucault , Jacques Derrida , and Fredric Jameson , see the collection of essays ...
Page 246
... essays . Gilliam 1991 is largely devoted to the compositional process ; Goldhill 2002 is a discursive and fascinating essay on the opera's reception in England ; but there is no discussion of the music . Some of the primary sources are ...
... essays . Gilliam 1991 is largely devoted to the compositional process ; Goldhill 2002 is a discursive and fascinating essay on the opera's reception in England ; but there is no discussion of the music . Some of the primary sources are ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
29 other sections not shown
Other editions - View all
Common terms and phrases
Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words