A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 139
... believe , far more aptly characterized by H.A. Mason's model of a translatorly stance which acknowledges ancient texts as ' forever alien , and yet , mysteriously , abordable ' , than by the alternative model of a ' familiarizing ...
... believe , far more aptly characterized by H.A. Mason's model of a translatorly stance which acknowledges ancient texts as ' forever alien , and yet , mysteriously , abordable ' , than by the alternative model of a ' familiarizing ...
Page 239
... believe in the report of Orest's death ( Soph . 804ff ; Strauss 4aff ) ; her immediate decision , when once she has accepted it , that the sisters should avenge Agamemnon themselves ( Soph . 947ff ; Strauss 34aff ) ; her attempt to ...
... believe in the report of Orest's death ( Soph . 804ff ; Strauss 4aff ) ; her immediate decision , when once she has accepted it , that the sisters should avenge Agamemnon themselves ( Soph . 947ff ; Strauss 34aff ) ; her attempt to ...
Page 243
... believe that these rising fanfares portray the success of her invocation ; Agamemnon's spirit rises from below the earth . Example 18.3 Mäßig Langsam = 69 Brass 9 f TOTTO TOTTRA TOTDA TUTTDA E ff Яva- VI 0000 Elektra is not aware of his ...
... believe that these rising fanfares portray the success of her invocation ; Agamemnon's spirit rises from below the earth . Example 18.3 Mäßig Langsam = 69 Brass 9 f TOTTO TOTTRA TOTDA TUTTDA E ff Яva- VI 0000 Elektra is not aware of his ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words