A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 79
... artistic style ; he used terms like archaic , classical , and baroque to describe the art of fifth- and fourth - century Athens , Hellenistic Greece , and republican and Augustan Rome , which gave rise to the use of these terms and ...
... artistic style ; he used terms like archaic , classical , and baroque to describe the art of fifth- and fourth - century Athens , Hellenistic Greece , and republican and Augustan Rome , which gave rise to the use of these terms and ...
Page 149
... artistic necessity . Indeed so extensive is the use of mythology in the poems of El Sayab , for example , that critics have differed on his success / failure in putting it to artistic use . In one short poem only - The Blind Prostitute ...
... artistic necessity . Indeed so extensive is the use of mythology in the poems of El Sayab , for example , that critics have differed on his success / failure in putting it to artistic use . In one short poem only - The Blind Prostitute ...
Page 264
... artistic discipline , control and balance were fundamental in clas- sical art and theatre as they reflected aspects of the heroic ideal . In Peter Hall's Oresteia , these artistic principals were evident not only through the highly ...
... artistic discipline , control and balance were fundamental in clas- sical art and theatre as they reflected aspects of the heroic ideal . In Peter Hall's Oresteia , these artistic principals were evident not only through the highly ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words