A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 1
... Greek and Roman texts , ideas , myths and visual and physical culture are at the centre of myriad debates . These debates not only investigate the historical features and subsequent impact of the ancient world but also cover related ...
... Greek and Roman texts , ideas , myths and visual and physical culture are at the centre of myriad debates . These debates not only investigate the historical features and subsequent impact of the ancient world but also cover related ...
Page 152
... Greek Theatre won the greater part of Arab atten- tion . Every piece was translated more than once ( Carlson 2005 ) . It is possible to say that there is no Greek or Roman play still without an Arabic version . Yet the translations from ...
... Greek Theatre won the greater part of Arab atten- tion . Every piece was translated more than once ( Carlson 2005 ) . It is possible to say that there is no Greek or Roman play still without an Arabic version . Yet the translations from ...
Page 475
... Greek and Roman Studies As seen above , the history of Greek and Roman scholarship ( with a strong bias towards philology in the narrow sense ) was once a formal element of those studies and recognized as such . Today , this has for the ...
... Greek and Roman Studies As seen above , the history of Greek and Roman scholarship ( with a strong bias towards philology in the narrow sense ) was once a formal element of those studies and recognized as such . Today , this has for the ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words