A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page ix
... Fergus ) in The Crying Game ( 1992 ) , directed by Neil Jordan 329 25.2 Cillian Murphy ( as Patrick ' Kitten ' Brady ) in Breakfast on Pluto ( 2005 ) , directed by Neil Jordan 329 26.1 Goatherd at Trajan's Forum 349 26.2 Victor Emmanuel ...
... Fergus ) in The Crying Game ( 1992 ) , directed by Neil Jordan 329 25.2 Cillian Murphy ( as Patrick ' Kitten ' Brady ) in Breakfast on Pluto ( 2005 ) , directed by Neil Jordan 329 26.1 Goatherd at Trajan's Forum 349 26.2 Victor Emmanuel ...
Page 338
... Fergus : the third person is another disguise . This also makes Fergus into an object and em- powers Dil . The ultimate game is visual storytelling through theatre and film . The opening scene at the funfair , the site of illusion and ...
... Fergus : the third person is another disguise . This also makes Fergus into an object and em- powers Dil . The ultimate game is visual storytelling through theatre and film . The opening scene at the funfair , the site of illusion and ...
Page 339
... Fergus . He is as effectively seduced by Jody / Dil as Pentheus was by Dionysus . Fergus's ' dismemberment ' is symbolic when he vom- its after seeing that Dil is a man . Later he recovers , apologizes to Dil , and reclaims what he ...
... Fergus . He is as effectively seduced by Jody / Dil as Pentheus was by Dionysus . Fergus's ' dismemberment ' is symbolic when he vom- its after seeing that Dil is a man . Later he recovers , apologizes to Dil , and reclaims what he ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words