A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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From inside the book
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Page 369
... Antigone The rows of the Oresteiaka point up fault lines in the complex dependencies between Greek revival tragedy , linguistic and translation practice , and the pressure to build a theatre and repertoire of manifest cultural capital ...
... Antigone The rows of the Oresteiaka point up fault lines in the complex dependencies between Greek revival tragedy , linguistic and translation practice , and the pressure to build a theatre and repertoire of manifest cultural capital ...
Page 370
... Antigone production of 1867 , the semi- professional Greek actors and director intended to celebrate the royal wedding of King George I and the teenage Russian princess Olga ( the later queen at the cen- tre of the controversy of the ...
... Antigone production of 1867 , the semi- professional Greek actors and director intended to celebrate the royal wedding of King George I and the teenage Russian princess Olga ( the later queen at the cen- tre of the controversy of the ...
Page 374
... Antigone , two versions of Troades and a further nine Greek plays ) ( Van Zyl Smit 2003b : 6-9 ) . Hybridity and Language From the 1960s onward , however , an indigenous , alternative reception , predomin- antly Anglophone , developed ...
... Antigone , two versions of Troades and a further nine Greek plays ) ( Van Zyl Smit 2003b : 6-9 ) . Hybridity and Language From the 1960s onward , however , an indigenous , alternative reception , predomin- antly Anglophone , developed ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words