Voice Culture and Elocution |
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Page 9
... tion of the student should be called . Anatomy teaches that the movements of man are , by nature , those of grace . The articulations of the bones , and the attachment and arrangement of the muscles , all show that " the human form ...
... tion of the student should be called . Anatomy teaches that the movements of man are , by nature , those of grace . The articulations of the bones , and the attachment and arrangement of the muscles , all show that " the human form ...
Page 16
William T. Ross. tion of the movement , to the cracker at the end of the lash , giving the snap or accent to the gesture . This flexible turn of the hand at the wrist is called the ictus , and is to the gesture what accent is to the word ...
William T. Ross. tion of the movement , to the cracker at the end of the lash , giving the snap or accent to the gesture . This flexible turn of the hand at the wrist is called the ictus , and is to the gesture what accent is to the word ...
Page 61
... tion which it deserves . No substantial progress in the cultivation of the voice can be made , until a practical knowledge of the production of tone be acquired . This presumes a proper degree of strength , flexibility , and control of ...
... tion which it deserves . No substantial progress in the cultivation of the voice can be made , until a practical knowledge of the production of tone be acquired . This presumes a proper degree of strength , flexibility , and control of ...
Page 80
... tion of the breath ; and , 2. Continuants , from their having the quality of con- tinuance or prolongation . The vocals are formative , the sub - vocals and aspirates articulative elements . The formation of the different vocals depends ...
... tion of the breath ; and , 2. Continuants , from their having the quality of con- tinuance or prolongation . The vocals are formative , the sub - vocals and aspirates articulative elements . The formation of the different vocals depends ...
Page 84
... tion , in a very earnest manner , letting the voice slide from nearly the lowest to the highest pitch of its com- pass in the question , and from nearly the highest to the lowest in the answer . In order to be sure of the right ...
... tion , in a very earnest manner , letting the voice slide from nearly the lowest to the highest pitch of its com- pass in the question , and from nearly the highest to the lowest in the answer . In order to be sure of the right ...
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Common terms and phrases
ad ag ALICE CARY arms articulation Arytenoid Muscle aspirates bell Billy blow body breast breath Cæsar Calisthenic Cartilage Coriolanus dark elements elocution emotions Epiglottis exercises eyes face fall fingers front gesture given giving the syllables glottis go Jo golden grace hand head heard heart heaven Julius Cæsar la la la larynx light lips look lungs Milly monophthongs mother mouth movement never night o'er oblique Othello pause phatic physical expression pitch position practice production of tone resonant right foot ringing sentence Shakespeare side sing smile soft soft palate song soul sound speak speaker speech step student of elocution sub-vocals Supine sweet syllable tell thee There's thou thought and feeling throat Thyroid Cartilage tion tongue Trachea Twas ugh-ee vocal ligaments Voice Culture vowel whisper wind words
Popular passages
Page 301 - And Ardennes waves above them her green leaves, Dewy with nature's tear-drops, as they pass, Grieving, if aught inanimate e'er grieves, Over the unreturning brave — alas ! Ere evening to be trodden like the grass...
Page 213 - The seasons' difference, as the icy fang And churlish chiding of the winter's wind, Which, when it bites and blows upon my body, Even till I shrink with cold, I smile and say "This is no flattery: these are counsellors That feelingly persuade me what I am.
Page 234 - Dark-heaving; boundless, endless, and sublime — The image of Eternity — the throne Of the Invisible; even from out thy slime The monsters of the deep are made; each zone Obeys thee; thou goest forth, dread, fathomless, alone.
Page 233 - The gay will laugh / When thou art gone, the solemn brood of care Plod on, and each one, as before, will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee.
Page 68 - The splendor falls on castle walls And snowy summits old in story: The long light shakes across the lakes, And the wild cataract leaps in glory. Blow, bugle, blow, set the wild echoes flying, Blow, bugle ; answer, echoes, dying, dying, dying.
Page 174 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
Page 235 - This royal throne of kings, this scept'red isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 144 - Ring out, wild bells, to the wild sky, The flying cloud, the frosty light: The year is dying in the night; Ring out, wild bells, and let him die. Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true.
Page 168 - I have not allowed myself, sir, to look beyond the Union to see what might lie hidden in the dark recess behind. I have not coolly weighed the chances of preserving liberty when the bonds that unite us together shall be broken asunder. I have not accustomed myself to hang over the precipice of disunion to see whether, with my short sight, I can fathom the depth of the abyss below...
Page 200 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we...