One morning very early, one morning in the spring Prepar'd to rail, resolv'd to part 69 247 136 230 Should some perverse malignant star 242 260 The nymph that I lov'd was as cheerful as day 315 The rose had been wash'd, just wash'd in a show'r 281 The shape and face let others prize 334 There is one dark and sullen hour 144 70 77 Too plain, dear youth, those tell-tale eyes 117 To the brook and the willow that heard him complain 139 What, put off with one denial 198 53 131 When here Lucinda first we came Why heaves my fond bosom! ah, what can it mean 321 Ye happy swains whose hearts are free 148 205 Yes, I'm in love, I feel it now 204 You tell me I'm handsome, I know not how true 294 Young I am, and yet unskill'd 156 1 Scott, Walter, 337. Sedley, 150, 190, 197. Shakspeare, 259, 260, 261. Shenstone, 77, 82, 84, 87, 89, 195. Sheridan, 279, 280, 310, 311, 314, 342. Smollett, 102, 128. Steel, 143, 199. Suckling, 228, 330. Taylor, Mrs. 238, 325. Theobald, 134. Thomson, 306. Tickell, 49. Vanbrugh, 284. Waller, 223, 237. Way, 318. Whitehead, 204, 316. Yonge, Sir W. 201, 241. THE ORIGIN OF SONG-WRITING. Addressed to DR. AIKIN. [MRS. BARBAULD.] Illic indocto primum se exercuit arcu; WHEN Cupid, wanton boy, was young, C |