An Introduction to the Art of Eastern Asia

achieved action activity actual aesthetic affect already animal appears artist Asia Asiatic art beauty become Buddha called canons century Chinese complete conceived conception condition conduct detail devotion direct distinction doctrine Eastern ends environment equally essence essential Europe European existed experience explained expressed fact familiar figure flowers freedom function Genius given hand human idea ideal Indian individual Japan Japanese kind knowledge known literal living matter means mental merely method MICHIGAN mind mode nature necessity Notes object once Oriental Oriental art origin otherwise painter painting passion perfection point of view portrait possible present principle proper recognize reference regarded relative represents result rules seen sense side speaking spirit statement style symbol taste theme theology things thought tion true truth types understanding universal vision Western Yoga