Elements of Criticism: Volume I [-II]., Volume 2A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 - Criticism |
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Page 18
... faid by a noted writer * , " That by " means of speech we can divert our forrows , " mingle our mirth , impart our fecrets , com- " municate our counsels , and make mutual com- " pacts and agreements to fupply and afsist each " other ...
... faid by a noted writer * , " That by " means of speech we can divert our forrows , " mingle our mirth , impart our fecrets , com- " municate our counsels , and make mutual com- " pacts and agreements to fupply and afsist each " other ...
Page 43
... faid the sage magistrate , " is the king of meat : Beef compre- " hends in it the quinteffence of partridge , and quail , " and venison , and pheasant , and plum pudding , and " custard . " Tale of a Tub , § 4 . And the author shows ...
... faid the sage magistrate , " is the king of meat : Beef compre- " hends in it the quinteffence of partridge , and quail , " and venison , and pheasant , and plum pudding , and " custard . " Tale of a Tub , § 4 . And the author shows ...
Page 53
... faid that inversion has any limits ; though I may venture to pro- nounce , that the disjunction of articles , con- junctions , or prepositions , from the words to which they belong , has very feldom a good ef- fect : the following ...
... faid that inversion has any limits ; though I may venture to pro- nounce , that the disjunction of articles , con- junctions , or prepositions , from the words to which they belong , has very feldom a good ef- fect : the following ...
Page 80
... sup- ported by a good taste , will in time make the choice easy . All that can be faid in general is , that in making a choice , found ought to yield. that * De oratore , 1. 3. cap . 58 . 80 BEAUTY OF LANGUAGE . Ch . XVIII .
... sup- ported by a good taste , will in time make the choice easy . All that can be faid in general is , that in making a choice , found ought to yield. that * De oratore , 1. 3. cap . 58 . 80 BEAUTY OF LANGUAGE . Ch . XVIII .
Page 124
... the sense . What is faid shall be illustrated by examples of each fort or order . And first of the pause af- ter the fourth fyllable : Back Back through the paths || of pleasing sense I rah 124 BEAUTY OF LANGUAGE . Ch . XVIII .
... the sense . What is faid shall be illustrated by examples of each fort or order . And first of the pause af- ter the fourth fyllable : Back Back through the paths || of pleasing sense I rah 124 BEAUTY OF LANGUAGE . Ch . XVIII .
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abſtract accent action Æneid agreeable alſo appear arts beauty becauſe beſide beſt cafe cauſe chap circumſtance cloſe compariſon compoſed compoſition confidered connected courſe deſcribed deſcription diftinguiſhed emotions employ'd Engliſh epic example expreffing expreffion expreſſed fame fignify figure fimile firſt fome fuch fyllables garden hath Hexameter houſe Iliad impreffion impreſſion inſtances inverſion itſelf jects juſt language laſt leaſt leſs meaſure melody mind moſt muſic muſt nature neceſſary object obſerved occafion oppoſite paffion paſſage pauſe perſon pleaſe pleaſure poem preſent proper purpoſe raiſed reaſon reliſhed repreſentation repreſented reſemblance reſpect reſt rhyme rule ſame ſay ſcarce ſcene ſecond ſeen ſenſe ſenſible ſeparated ſerve ſeveral ſhall ſhort ſhould ſhow ſingle ſome ſpeaking ſpecies ſpectator ſpeech Spondees ſtage ſtandard ſtate ſtep ſtill ſtriking ſtudied ſtyle ſubject ſubſtantive ſuch ſupport taſte theſe thing thoſe thou thought tion uſe verſe whoſe words
Popular passages
Page 186 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
Page 329 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 236 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Page 279 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
Page 236 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 314 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 237 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
Page 334 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Page 434 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Page 279 - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...